The process of building a hero is a
little different than creating other characters. You are
looking for a different response to him from the reader.
Romance readers are for the most part women so for
purposes of this article, that is the reader I’m
addressing. You want to create a heroine the reader will
like and respect—after all, she’ll identify with this
character (you hope!) and live the story through her.
However, you want to create a hero the reader
will fall in love with.
In a romance novel hero, his macho,
alpha male characteristics are a given. Yes, there have
been a few successful beta heroes, but even then their
manliness and sex-appeal quotient are never in question.
So if writing your hero as a sexy,
take charge kind of guy makes him merely ordinary, how
do you create a hero so unique your reader is going to
fall for him in a big way?--By showing the little boy
within the man.
I don’t mean you should have him
exhibiting childish, immature behavior, but rather show
what hurts him, excites his enthusiasm, makes him proud.
Show his soft spot. Is he a sucker for kids, does he
love animals, worry about his mother? You can get away
with a lot in terms of macho behavior (romance heroes
tend to be larger than life in this aspect) as long as
he demonstrates what Suzanne Brockmann refers to as the
save-the-kitty factor.
But what is his softer side?
The best way to find it is to ask the man himself.
Personally, I find the character interview to be
interesting, but of little real help when constructing
my other characters, but for building (or discovering)
the hero, it is invaluable.
If you’ve never tried this before,
you’re in for a surprising treat. This is one of the
best ways to breathe life into a hero that previously
has been only a collection of attributes you’ve cobbled
together.
Find a time when you won’t be
interrupted, have your questions ready, and just begin.
I sit at the keyboard so I can type the answers my hero
dictates to me.
Start by asking if he is willing to
help you out by answering some questions. If he says no,
that’s interesting in itself. Ask why he objects and
you’re off and running. This may seem completely
woo-woo, but try it anyway. You’ve got nothing to lose
except the blank space on the page.
Some good questions to ask:
Who was your first
girlfriend? What did you like most about her?
Did you have a pet as a
child? What happened to it? How did you feel
about that?
What do you think your
greatest weakness is? (Note that this may be
something only the hero would think is weak)
What do you think is your
strongest attribute?
What are you proudest of?
What do you regret?
What embarrasses you?
What is something no one
knows about you? Why do you keep it a secret?
What would happen if everyone found out about
it?
Why do you do the work you
do?
What do you find most
appealing in a woman? Least?
What is your favorite
possession? Why?
What do you like most about
where you live? Least? Why?
What’s your favorite thing to
do on a rainy Sunday?
What’s your most vivid memory
of your mother? Father?
Notice these questions have little to
do with his actual history. You will have already
determined the facts of his life. Now we’re trying to
discover the soul of the man. As you start getting
answers, the answers will lead to even more questions
until you are having a whole conversation with this
person. Some of the answers you get may surprise you.
Congratulations! Your hero has come alive.
The answers will give you ideas for
plot developments you hadn’t considered. At the very
least you’ll have material for scenes that demonstrate
some of the hero’s hidden emotions. And do put these
emotions and memories into action scenes. Memories make
for boring reading unless they relate somehow to the
current action.
Perhaps the thing no one knows about
your hero is that he is afraid of lightning because as a
child he was in a car accident with his mother on a
stormy night. She was killed when lightning struck
nearby and she lost control of the car. Now that he is
an adult storms are a living hell for him—racing heart,
sweaty palms, the whole nine yards. Perhaps his fear of
storms even dictates where he lives. Build a scene where
he and the heroine are in a storm.
Maybe the hero’s favorite possession
is the key to his first car that his father gave him
just before his dad left for Desert Storm and was
killed. Write a scene where the heroine learns about
this.
The whole point of discovering the
hidden aspects of your hero is to make it believable to
the reader when the heroine falls in love with him.
We’ve all read books that make us think the heroine is
an idiot for falling in love with a hero who’s such a
jerk. Don’t let yours be one of those! Give this tough,
strong, there-in-a-crisis man a few mitigating human
elements and your reader will sigh with regret when she
finishes your book and wait impatiently for the next.
*
* * * *
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