| Some writers love them, others despise them,
but writers groups exist in every library and
bookstore in America and most of the world. Some
discuss books and others share promotional tips.
Many cover current trends in publishing and
others get down and dirty into the world of
critiques. Shop for a writers group like you
would a family doctor, agent, or financial
broker. The personality has to fit snug, like a
glove. It should feel natural and comforting,
encouraging and beneficial. If you cannot open up
before the group, the experience is worthless. If
your doctor cannot fix your ills, you find
another one. If your writers group cannot
aid your writing career, find another one.
The good group.
I believe that a good critique group evades
most writers. You almost have to start your own
group, unless you stumble into a rare and
marvelous opportunity. Find those special writers
whose work you appreciate, personality you enjoy,
and writing you admire, then start a clique. Go
to an established writers group and get to know
the people. Once you find two or three that rub
you the right way, ask them to form a critique
group. Do not confuse a writers' group with a
critique group as they are usually two different
animals.
Keep the number small so you accomplish
genuine work. A dozen writers in a critique group
can mean weeks between turns of giving and
receiving criticism. The effort of running the
group wears it out, and with the large number of
people you increase the odds of personality
clashes. Three or four people, maybe five,
comprise a small enough cadre to know each
others work for a thorough intimate review.
Once you find the match, dedicate yourself to the
process. When the group melds together, miracles
occur.
The clash.
Inevitably, a clash between members will
arise. And sooner or later you will be involved.
Try hard to work through the controversy. No one
gets through life without a bit of animosity
crossing her path, and running from it hurts the
group as a whole. If youve been hurt, try
to step back and analyze the facts. Passion runs
deep in the writing crowd. Telling someone that
his words are weak or the message is unclear can
sting. Work at offering criticism without barbs,
even to the people who zinged your last
submission. Strive to offer a positive to every
negative so a writer cannot only recognize her
weaknesses but her strengths as well. The
positives dilute the potential for clash. Accept
criticism without scorn. Yes, someone will say
something out of line along the way, but not
taking issue with every remark avoids the fight.
Diffuse the fight by not reacting so that it has
a chance to catch on fire.
The poison.
At times you find people who poison your
world. When you hate going to the group meeting
it is time to analyze the benefits received
versus the pain inflicted. There are people who
collide with your mission whether they mean to or
not. Regardless of how you behave, they take
issue with you, your work, or your personality.
Time to leave. Your writing becomes infected when
you cannot decipher the legitimate criticism from
the biting slander and jealous condescension.
Crop these people out of your world or you risk
eroding your writing goals and your self-esteem.
Writing groups are marvelous entities, or
organizations from hell. To find the right one,
take the time to shop around. This writing
business is a part of you. Cherish it and nourish
it as it deserves.
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